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Game-improvement

Get Longer, Get Straighter

November 2008

: By Chuck Cook and Art Sellinger
with Matthew Rudy
Photos By Joey Terrill November 2008; Between the two of us, we've taught three U.S. Open champions (Tom Kite, Payne Stewart and Corey Pavin, with Chuck) and won two national long-drive titles (1986 and '91, for Art). This past summer, we decided to help one another with the "other side" of the game. Now you can eavesdrop on the lessons and drills we gave each other: Chuck's tips for Art to hit more fairways, and Art's for Chuck to get more yards. We guarantee you'll get straighter and longer by the end of the day.

Chuck Cook, No. 6 among America's 50 Greatest Teachers, is based at Barton Creek Resort & Spa near Austin and Dallas National Golf Club.

HIT IT STRAIGHT: Why long gets in the way of straight; By Chuck Cook; I met Art over the summer after he'd helped a player I teach find 11 more miles per hour of clubhead speed in two hours. I had to see how he did it. In the course of that conversation, Art asked me if I'd help him with his game. He was done competing in long-drive competitions, and he wanted to be a scratch-handicap player. After he hit one ball, I could see why he was so long -- and why he gets crooked sometimes. Art lifted the club on his backswing (above), and then dropped it to the inside on the way down. Then, he swung out to the right and used a lot of hand action to generate speed and square the clubface. The more your swing gets away from the ideal plane on the backswing, the harder you have to work to get back to it.

Long-drive competitors can catch one ball out of six and win. But now Art wanted a swing he could use on the course. The first thing we did was get Art's arms and club swinging on the same swing plane as his shoulders (left), so he didn't have to do as much work to get the club in "the slot" coming down.

Once Art could feel that change in his swing, we worked to take the hand action out of his downswing. He has incredibly fast hands, but he also has a full collection of surgical scars on his wrists and elbows from firing them so hard for so long as a long driver. He needed something easier on his body, for sure.

: Hit the wall with the entire club; A good takeaway sets up a complete turn at the top, where your left shoulder gets behind the ball (see lead photo above) -- even if you aren't the most flexible person. With the ball too far back in your stance, the negative chain reaction continues. When your swing gets steep and narrow on the backswing (left), you don't have any way of generating clubhead speed. You don't have time to rebuild your extension and leverage at this point in the swing.

Drill: Hold the towel under both arms as you swing; Art responds really well to physical feedback, so I had him hit some full wedge shots with a golf towel tucked under both arms. If Art dropped the right edge of the towel on the backswing, it meant he lifted the club off the correct plane. To keep the towel in place on the downswing, he couldn't let his arms out-race his body with that hands-only release he had. The "connected" look of the arms and chest turning together through impact is the signature move of all great iron players.

: Clubfitting: Chuck gets more speed; Another part of the equation -- proper fitting -- helped Art with his control issues and me with my distance issues (see next page for Art's tips for me). Art has a full launch monitor setup at his Sellinger's Power Golf shop outside Dallas, and he knows how important the right fit is. He was able to build a driver for himself that flexed less down by the clubhead, for more control. And when he worked with me on my launch monitor at Dallas National, I could immediately see how a setup adjustment translated into more clubhead speed -- 103 versus 98 mph.